
About The Song
“If You See Me Getting Smaller” is a song recorded by Waylon Jennings that sits among the singer’s more introspective, character-driven tracks. The piece is presented as a compact vignette rather than a sprawling narrative, and it showcases Jennings’s late-60s/early-70s preference for plainspoken language and conversational delivery. The song has been circulated primarily as an album track in Jennings’s recorded catalog and is typically discussed as a reflective, persona-driven number rather than a breakout single.
Musically, the song follows a spare, band-centered approach familiar from Jennings’s work of the era: steady rhythmic support, guitar-led accompaniment and minimal studio ornamentation so that the vocal and lyric remain central. The arrangement leaves room for Jennings’s low, resonant vocal to shape the listener’s experience; instrumental fills are used economically to underline phrases and to provide small emotional lifts rather than to call attention to themselves. That sonic restraint helps the lyric come through with immediacy.
Lyrically the song uses small, concrete images to sketch a mood of retreat and self-awareness. The title phrase functions as a wry, semi-pleading request—asking others to notice and respond if the singer seems to withdraw—while the verses provide brief details that imply why the narrator might be contracting inward. The writing favors implication over exposition: rather than laying out a full backstory, the lines accumulate atmosphere and let the listener infer the causes and consequences behind the speaker’s shrinking presence.
In performance, pieces like this typically became moments for Jennings to foreground tone and phrasing. Onstage, the song works well as an intimate passage within a set, offering contrast to rollicking honky-tonk numbers and giving the band room to breathe. The conversational quality of the vocal makes the track adaptable to stripped-down or fuller arrangements, and that flexibility is one reason such album cuts survived in concert rotation even when they were not widely promoted as singles.
Commercially, “If You See Me Getting Smaller” is best understood as part of Jennings’s album-oriented output rather than as a radio-driven release. It did not stand out as a major charting single in contemporary listings and has been kept in circulation mainly through album reissues, compilations and streaming-era collections. Its principal value for listeners and critics has been as an example of Jennings’s capacity to inhabit compact, emotionally precise songs within a broader career marked by both gritty storytelling and stylistic breadth.
Over time the song has continued to interest fans who seek out deep cuts and album tracks that illuminate Jennings’s interpretive range. It illustrates his strength at making short, image-rich songs feel lived-in and credible: modest production, plain language, and a vocal style that privileges honesty over affectation. For listeners tracing Jennings’s development from Nashville performer to outlaw-era icon, this track offers a clear window onto the quieter, more reflective side of his repertoire.
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Lyric
Willie we’ve been constant companion you know the light and shade
We have spent a million dollars find out what we made
We have made the maidens marvel the things we do and say
Down down and out brother up up in the way
If you see me gettin’ smaller I’m leavin’ don’t be grieving
Just got to get away from here
If you see me gettin’ smaller don’t worry and no hurry I’ve got the right to disappear
God bless old Philadelphia they were standing in the rain
Out in front of a main yard wet and lonely train
Who knows who they came to see a mad man full of beer
A four piece band and a charter bus my border-line career
If you see me gettin’ smaller